Scapegoat For Scapegoat Helen continues to investigate printing from found materials, this time taking the expression 'black sheep' as a starting point for work using sheep's wool.
Traces: The Unthought Known I am exploring my experience of the process of printing. What is left on the paper is the result of an attempt to capture or replicate something. Each feather print holds a memory of the original object - an imprint, a tiny shadow or ghost left behind - an attempt to find the meaning of something which is now gone. The images document a continuing and repetitive search. I'm interested in how the sensations of an art making process such as casting, drawing, or printing, can be a concrete textural way of working something out.